The Flash - Midseason Finale - Recap: Blurred Lines
Recap and review of The Flash - Episode 9 - The Man In the Yellow Suit:
The Flash is a series that is fantastical by its very nature. Hell, it's about a guy with superhuman speed fighting people with other supernatural powers! However, "The Man In the Yellow Suit" takes it one step further by not only digging even deeper into this "Harrison Wells Is A Bad Guy" motif, but by also introducing an implied time travel element.
Credit: The CW
However, he's not really the star of the episode, as this is still very much about Barry's quest for revenge. It's rare to see Barry so completely and utterly overmatched, but even when he's able to catch up with the much faster Reverse Flash, he's unable to do much to stop him. He gets absolutely pounded to the ground in the episode's big action setpiece, as the two speedsters fight in a football field. Later, when Wells is able to trap him in a force field, the Reverse Flash escapes and lays a beating on Wells, before staring down Eddie (Rick Cosnett) and speeding off. It's a development that's all the more confounding in light of the episode's ending. Why did Reverse Flash let Eddie live? And, if Reverse Flash IS Dr. Wells, how/why did he beat himself up? Having only a loose familiarity with the storylines of the comic books, I don't really know for certain. If I had to guess, I'd say Future Eddie is some kind of accomplice to Reverse Flash. Either that, or Wells just beat up the past version of himself to throw others off the scent as to his true identity.
Credit: The CW
Of course, this all presumes that Reverse Flash IS from the future, and honestly, I'm not confident enough to presume anything about where this show is headed. All I know is that Barry's attempts to avenge his mother and father seem to grow more poignant as they become more desperate. Henry (John Wesley Shipp) pleads with his song to let go of his need for revenge, and to live a life of his own. But Barry is still haunted by what he perceives to be his failures, which is kind of silly, considering that Barry was a helpless kid when his mother was killed. What could he really have done? As it ends up now, Barry is plagued by all the lives he didn't get to lead: he can't have his father or his mother back, and he can't have Iris (Candice Patton), even though he finally takes the leap and tells her how he feels about her. Barry essentially reads the signals and takes Iris's speechless reaction as a rejection, and her earlier decision to move in with Eddie more or less seals it. But at the very least, Barry gets the weight off his shoulders, and is able to wish her and Eddie the best. It's hard not to feel bad for Barry, as very little seems to go his way. However, the character isn't as off-putting in defeat as some TV heroes are in victory. There's an earnestness and resolve in Barry that makes him easy to root for, even when he's getting the stuffing kicked out of him by some guy from the future.
Credit: The CW
On that score, "The Man In the Yellow Suit" brings us an 11th hour twist, as Ronnie (Robbie Amell) saves the day in his new role as Firestorm. Granted, I figured I'd feel something more when Caitlin (Danielle Panabaker) and Ronnie finally came face-to-face with one another again, but I still think the reunion of the former lovebirds carried its own narrative weight, as Caitlin struggles with the realization that this is a completely different Ronnie from the one she loved. In one of the darker moments of the episode, Caitlin actually wishes Ronnie had stayed dead. It's a shockingly human moment from a character defined by her walled-off emotional state. I'm intrigued by Firestorm, because it implies that Ronnie hasn't just changed at a molecular level, his personality has also been warped by the effects of the Particle Accelerator explosion. He's a darker character, but much like Barry, his powers don't appear to have made him into a bad person. And so it should be interesting to see where Ronnie goes from here.
Ultimately, "The Man In the Yellow Suit" creates more questions than it answers, but this leaves us with a narrative that's rife for analysis and speculation. And I love that about The Flash, since this story could go any number of ways that are independently compelling.